Into the blue: a handpainting blue China ceramics studio
| dc.contributor.advisor | Smit, Jan | en_ZA |
| dc.contributor.advisor | Smit, Petria | en_ZA |
| dc.contributor.advisor | Bitzer, Martie | en_ZA |
| dc.contributor.advisor | Raubenheimer, Hein | en_ZA |
| dc.contributor.author | van der Rijst, Michelle | en_ZA |
| dc.date.accessioned | 2024-05-21T06:52:52Z | |
| dc.date.available | 2024-05-21T06:52:52Z | |
| dc.date.issued | 2023 | en_ZA |
| dc.description | Dissertation (M.Arch.(Architecture))--University of the Free State, 2023 | en_ZA |
| dc.description.abstract | The Victoria and Alfred Waterfront (V&A Waterfront) Development in Cape Town is transforming the port into a playground. With the notion of globalisation and replicating international waterfront-scapes, the V&AW is at risk of becoming a creative destruction. 𝘏𝘰𝘸 𝘤𝘢𝘯 𝘢 𝘱𝘩𝘦𝘯𝘰𝘮𝘦𝘯𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘢𝘱𝘱𝘳𝘦𝘤𝘪𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘣𝘭𝘶𝘦 𝘤𝘩𝘪𝘯𝘢 𝘤𝘦𝘳𝘢𝘮𝘪𝘤𝘴 𝘪𝘯𝘧𝘰𝘳𝘮 𝘵𝘩𝘦 𝘢𝘳𝘤𝘩𝘪𝘵𝘦𝘤𝘵𝘶𝘳𝘢𝘭 𝘥𝘦𝘯𝘴𝘪𝘧𝘪𝘤𝘢𝘵𝘪𝘰𝘯 𝘰𝘧 𝘢 𝘤𝘰𝘭𝘰𝘯𝘪𝘢𝘭 𝘩𝘦𝘳𝘪𝘵𝘢𝘨𝘦 𝘦𝘯𝘴𝘦𝘮𝘣𝘭𝘦, 𝘣𝘺 𝘤𝘰𝘯𝘴𝘪𝘥𝘦𝘳𝘪𝘯𝘨 𝘵𝘩𝘦 𝘩𝘢𝘣𝘪𝘵𝘶𝘢𝘭 𝘢𝘯𝘥 𝘮𝘢𝘵𝘦𝘳𝘪𝘢𝘭 𝘦𝘹𝘱𝘦𝘳𝘪𝘦𝘯𝘤𝘦 𝘰𝘧 𝘵𝘳𝘢𝘯𝘴𝘧𝘰𝘳𝘮𝘪𝘯𝘨 𝘤𝘭𝘢𝘺 𝘪𝘯𝘵𝘰 𝘤𝘦𝘳𝘢𝘮𝘪𝘤𝘴, 𝘵𝘩𝘦𝘳𝘦𝘣𝘺 𝘳𝘦𝘪𝘯𝘵𝘦𝘨𝘳𝘢𝘵𝘪𝘯𝘨 𝘵𝘳𝘢𝘥𝘪𝘵𝘪𝘰𝘯𝘢𝘭 𝘪𝘯𝘵𝘦𝘯𝘵𝘪𝘰𝘯 𝘣𝘦𝘵𝘸𝘦𝘦𝘯 𝘤𝘶𝘭𝘵𝘶𝘳𝘦 𝘢𝘯𝘥 𝘵𝘩𝘦 𝘤𝘰𝘯𝘵𝘦𝘮𝘱𝘰𝘳𝘢𝘳𝘺 𝘵𝘦𝘤𝘩𝘯𝘰𝘭𝘰𝘨𝘺 𝘪𝘯𝘵𝘰 𝘵𝘩𝘦 𝘸𝘰𝘳𝘬𝘪𝘯𝘨 𝘩𝘢𝘳𝘣𝘰𝘶𝘳 𝘰𝘧 𝘊𝘢𝘱𝘦 𝘛𝘰𝘸𝘯? The project proposes a hand-painting, blue china studio as an adaptive reuse of the ensemble of heritage and existing synchrolift buildings within the Marina District of the V&AW. Viewing craft as a method of purposeful play, the project will aim to condense the artistic potential within the ceramics-making process while preserving elements of its local habitual and material engagement. These phenomenological theories will be used to support the design decisions and contextual orientation to arrive at an appropriate architectural response to the historically rich environment of the Victoria and Alfred Waterfront. Consequently, the theoretical lens will add layers of complexity to the heritage site and the proposed design becomes inseparably moulded into the cultural fabric, regenerating the Victoria and Alfred Waterfront in Cape Town. The document explores contextual analysis, precedent analysis, and theoretical framework to inform the design development and technical resolution. Ultimately, the thesis dissertation will present a contemporary interpretation of craft in urban manufacturing and adaptive reuse projects. | en_ZA |
| dc.identifier.uri | http://hdl.handle.net/11660/12534 | |
| dc.language.iso | en | |
| dc.publisher | University of the Free State | en_ZA |
| dc.rights.holder | University of the Free State | en_ZA |
| dc.subject | Globalisation | en_ZA |
| dc.subject | waterfront-scapes | en_ZA |
| dc.subject | phenomenology | en_ZA |
| dc.subject | heritage | en_ZA |
| dc.subject | hand-painting | en_ZA |
| dc.subject | adaptive reuse | en_ZA |
| dc.subject | synchrolift | en_ZA |
| dc.subject | habitual | en_ZA |
| dc.subject | material engagement | en_ZA |
| dc.title | Into the blue: a handpainting blue China ceramics studio | en_ZA |
| dc.type | Dissertation |