Spectral flesh remembrance: an inverted monument and foundry embedded in the decommissioned Pelindaba nuclear weapons site

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Date
2023
Authors
Wood, Arran
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University of the Free State
Abstract
The Angola-South African War left extensive scars and remains a raw place in the lives of many South Africans. Yet it has become a kind of suppressed memory that is hard to grapple with in the post-democratic reality, and the majority of South Africans choose to conveniently overlook the consequences of this conflict. The memory and memorialisation of the war has become a shrouded spectre. One of the most obscured facets of the war was the fact that South Africa managed to construct nuclear weapons, and (even more astoundingly) became the first nation to voluntarily decommission their nuclear arsenal. In the wake of ghost-like memories of the past, the question arises: ๐˜๐˜ฐ๐˜ธ ๐˜ค๐˜ข๐˜ฏ ๐˜ข ๐˜ด๐˜ฑ๐˜ฆ๐˜ค๐˜ต๐˜ณ๐˜ข๐˜ญ ๐˜ข๐˜ณ๐˜ค๐˜ฉ๐˜ช๐˜ต๐˜ฆ๐˜ค๐˜ต๐˜ถ๐˜ณ๐˜ฆ ๐˜ฎ๐˜ฐ๐˜ถ๐˜ญ๐˜ฅ ๐˜ฐ๐˜ถ๐˜ต ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ณ๐˜ฆ ๐˜ธ๐˜ช๐˜ต๐˜ฏ๐˜ฆ๐˜ด๐˜ด๐˜ช๐˜ฏ๐˜จ ๐˜ฆ๐˜น๐˜ฑ๐˜ฆ๐˜ณ๐˜ช๐˜ฆ๐˜ฏ๐˜ค๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฐ๐˜ด๐˜ฆ ๐˜ฅ๐˜ช๐˜ด๐˜ค๐˜ข๐˜ณ๐˜ฅ๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ข๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜ฆ๐˜ฅ ๐˜ด๐˜ฐ๐˜ถ๐˜ญ๐˜ด ๐˜ข๐˜ฏ๐˜ฅ ๐˜ด๐˜ฐ๐˜ถ๐˜ญ๐˜ญ๐˜ฆ๐˜ด๐˜ด ๐˜ฎ๐˜ข๐˜ค๐˜ฉ๐˜ช๐˜ฏ๐˜ฆ๐˜ด ๐˜ฆ๐˜ฏ๐˜ต๐˜ข๐˜ฏ๐˜จ๐˜ญ๐˜ฆ๐˜ฅ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฐ๐˜ฃ๐˜ด๐˜ค๐˜ถ๐˜ณ๐˜ข๐˜ฏ๐˜ต๐˜ช๐˜ด๐˜ต ๐˜ฎ๐˜ช๐˜ฏ๐˜ฅ๐˜ด๐˜ฆ๐˜ต ๐˜ต๐˜ฉ๐˜ข๐˜ต ๐˜ฃ๐˜ช๐˜ณ๐˜ต๐˜ฉ๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฏ๐˜ถ๐˜ค๐˜ญ๐˜ฆ๐˜ข๐˜ณ ๐˜ธ๐˜ฆ๐˜ข๐˜ฑ๐˜ฐ๐˜ฏ๐˜ด ๐˜ฑ๐˜ณ๐˜ฐ๐˜จ๐˜ณ๐˜ข๐˜ฎ๐˜ฎ๐˜ฆ ๐˜ข๐˜ต ๐˜—๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜ฅ๐˜ข๐˜ฃ๐˜ข ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ค๐˜ฐ๐˜ฏ๐˜ต๐˜ฆ๐˜น๐˜ต ๐˜ฐ๐˜ง ๐˜ต๐˜ฉ๐˜ฆ ๐˜‰๐˜ฐ๐˜ณ๐˜ฅ๐˜ฆ๐˜ณ ๐˜ž๐˜ข๐˜ณ? Those in power, too, choose to forget the haunting effects in the hearts of those conscripted into the war and the suffering enforced by it. The manifestation of this amnesia-like state comes in the form of the nuclear weapons site, rusting and forgotten. Through a symbolic repurposing of decommissioned firearms in a foundry and the remembrance of spectres from the site in an inverted monument, a design is proposed as a means to reveal the forgotten and censored. The exposure of restricted historical documentation is part of the outcome of this research; to find what is still prevailing of something that no longer officially exists and document the remaining structures. Regarding placing architecture and conflict in context, special care is taken in analysing precedent studies of the built form as well as structural theory of โ€˜the form in conflictโ€™ with a morphology responding to place as much as process. The proposed architecture of structure, relating to spectral remembrances of the flesh, attempts to explore the role architecture can play as a mediator and reminder of forgotten conflicts.
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Dissertation (M.Arch. (Architecture))--University of the Free State, 2023
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