Through the cracks: a new home for Seahenge
| dc.contributor.advisor | Smit, J. D. | |
| dc.contributor.advisor | Smit, P. | |
| dc.contributor.advisor | Du Preez, K. | |
| dc.contributor.author | Conradie, Thomas | |
| dc.date.accessioned | 2024-05-21T06:49:32Z | |
| dc.date.available | 2024-05-21T06:49:32Z | |
| dc.date.issued | 2023 | |
| dc.description.abstract | Museum architecture acts as medium between the viewer and exhibition, influencing the interpretation thereof. The preserved remains of Seahenge are currently housed in a manner not conducive to productive interaction with the structure. Existing museum typologies often mediate social context, landscape, artefact, and user, but not to the degree of sensitivity required to house Seahenge in an appropriate setting within its nuanced landscape and history. The museum is viewed, not as podium to present on or shelter against elements, but as a revelation of the truth set to work in Seahenge. A design for a new museum to house Seahenge stemmed out of various precedent studies, conceptual and theoretical explorations. The resultant design challenges the standard typology of the museum and showcases the relevance of Martin Heidegger’s concept of ‘the clearing’ within architecture engaging with landscape and artefact. | |
| dc.identifier.other | Dissertation (M.Arch. (Architecture))--University of the Free State, 2023 | |
| dc.identifier.uri | http://hdl.handle.net/11660/12514 | |
| dc.language.iso | en | |
| dc.publisher | University of the Free State | |
| dc.rights.holder | University of the Free State | |
| dc.subject | Seahenge | |
| dc.subject | holme-next-the-sea | |
| dc.subject | museum | |
| dc.subject | the clearing | |
| dc.title | Through the cracks: a new home for Seahenge | |
| dc.type | Dissertation |