The postfigurative Christ in Morley Callaghan's Such is my beloved

dc.contributor.authorHale, F.
dc.date.accessioned2017-10-06T07:25:01Z
dc.date.available2017-10-06T07:25:01Z
dc.date.issued2005
dc.description.abstractEnglish: Symbolic Christ figures, i.e. characters whose lives to greatly varying extents mirror those of Jesus of Nazareth without being fully fledged allegories thereof, were frequently employed as fictional devices in nineteenth- and twentieth-century literature as means of expressing diverse qualities, lessons, mores, and values in the modern world. One esteemed literary artist who made use of this technique was the Canadian liberal Roman Catholic layman Morley Callaghan (1903-1990). In his novel of 1934, Such Is My Beloved, the protagonist, a gifted young priest in a major city, is a latter-day reflection of Christ. In this embodiment, Social Gospel aspects of Christianity come to the fore.en_ZA
dc.description.versionPublisher's versionen_ZA
dc.identifier.citationHale, f. (2005). The postfigurative Christ in Morley Callaghan's Such is my beloved. Acta Theologica, 25(1), 28-49.en_ZA
dc.identifier.issn1015-8758 (print)
dc.identifier.issn2309-9089 (online)
dc.identifier.urihttp://hdl.handle.net/11660/7162
dc.language.isoenen_ZA
dc.publisherFaculty of Theology, University of the Free Stateen_ZA
dc.rights.holderFaculty of Theology, University of the Free Stateen_ZA
dc.subjectMorley Callaghanen_ZA
dc.subjectSuch Is My Beloveden_ZA
dc.subjectNarrativeen_ZA
dc.subjectJesus Christen_ZA
dc.titleThe postfigurative Christ in Morley Callaghan's Such is my beloveden_ZA
dc.typeArticleen_ZA
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