Dinamiek in klaviermusiek van die agtiende en negentiende eeue
Master’s Dissertation Multilingual record · 2 languages
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Abstract
English
Dynamics is an aspect of musical expression which result from fluctuations in the loudness of the
produced sound. These fluctuations fulfill a definite role in the interpretation of solo piano music.
In this thesis the historical course of dynamic markings in piano music of the eighteenth and
nineteenth centuries as reflected in literature, is examined. The nature of dynamics and the role of
interpretation with reference to dynamics are explained. The relation between the evolution of the
piano and compositional techniques with regard to dynamic expression is discussed. The
possibilities of dynamic expression are illustrated through examples from piano works of selected
composers.
This study reflects that dynamics function prominently in the role of the performer to project and
highlight essential elements of interpretation and expression. Refined interactions take place
between dynamics and musical contingencies. The following musical factors are underlined by
means of effective dynamic manipulation: emotional expression, representation of programmatic
and characteristic elements, creation of atmosphere, contrast forming, shaping of formal elements,
phrasing, defining of articulation and touch, textural differentiation, tone quality, tonal balance,
harmonic coloration and realisation of stilistic elements. The application of dynamics is influenced
by acoustic elements, personal characteristics of the pianist, the potential of the original
instruments, certain compositional techniques, historical aspects of style, and the nature of specific
compositions.
This study accentuates the fact that dynamics is a relative, multi-dimentional and not completely
prescribabie phenomenon in music. Due to this fact, the application of dynamics cannot be pinned
down and individual interpretation is required to a great extent, whether dynamic markings appear
in the music or not. In spite of this slippery nature of dynamics, its role in musical expression is of
utmost importance.
Keywords
English
Piano music -- Interpretation (Phrasing, dynamics, etc.) Music -- 18th century Music -- 19th century
Record information
Authors
Rachel Mercia Emily, Labuschagne
Publisher
University of the Free State
Advisors
Viljoen, N. G. J.
Date
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Description
Dissertation (M. (Music))--University of the Free State, 1994