𝘠𝘰𝘶 Equals 𝘕𝘰𝘵-𝘐: avowal, disavowal, and second- person narration in Marlene van Niekerk’s 𝘢𝘨𝘢𝘢𝘵

Abstract

This article examines the second-person narrative mode in Marlene van Niekerk’s Agaat. Its function is explained by situating the novel within that niche known as the “you-text.” But the generic function must also be accounted for within the thematic tensions of the novel, specifically those oscillations of avowal and disavowal. So a second concern is this: how does the novel speak back to narrative theory? How does its “compulsion to tell the truth” – shadowed by South Africa’s Truth and Reconciliation Commission – trouble, expand or extend the typologies used to talk about texts where “you” consolidates narrator and narratee? Considering this consolidation as part of what might be called a narratology of the self, I suggest that Agaat’s “you” can be seen as further collapsing the roles of confessor and penitent. Such collapse reinforces the interiority of Milla’s self-addressed excoriations, since it mirrors the doubled consciousness of Protestant confession. But it also inaugurates a new type of address – the “implied you” – which turns on the reader as much as on the novel’s protagonist.