Doctoral Degrees (Communication Science)
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Browsing Doctoral Degrees (Communication Science) by Author "Marais, Willemien"
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Item Open Access Nat Nakasa as existential journalist(University of the Free State, 2016-02) Marais, Willemien; De Wet, J. C.English: South African journalist Nat Nakasa’s short career in journalism started at Drum magazine in Johannesburg in 1958 and ended in New York City when he died of suicide in 1965. Arguably, Nakasa was not the most prolific or well-known journalist of South Africa’s Drum generation of journalists, which also include, amongst others, Lewis Nkosi, Es’kia Mphahlele and Richard Rive. Nakasa’s body of work consists of about 100 pieces, mostly journalism, and one short story. In terms of professional milestones he was an assistant editor at Drum, the first black columnist for Rand Daily Mail, the founder and editor of The Classic, a literary magazine, and a Nieman Fellow at Harvard University. However, Patel (2005: vii) writes that Nakasa’s “reportage of events and personality profile of a time gone by opens a window for us to look into the past and thereby enrich our understanding of intensely human episodes he witnessed”. Nadine Gordimer (in Roberts 2005) describes Nakasa as a “racial visionary”, while referring to his work as “journalism, yes, but journalism of a highly personal kind” (in Patel 2005). Emeritus Archbishop Desmond Tutu (in Mahala 2014) describes Nakasa as “a rainbow man when the rainbow was not allowed”. Nakasa’s approach to journalism places him in the realm of Merrill’s existential journalism (1977). It also relates directly to what Muhlmann (2008; 2010) describes as decentring journalism, where the journalist takes on the role of the outsider in an effort to disrupt the status quo, or “decentre” it. These orientations to journalism form part of what can be described as unconventional forms of journalism, characterised, amongst others, by the constructivist idea that there is no absolute truth and that journalists inescapably create their own realities (Hanitzsch 2007) that they then share with their audiences. The practice of unconventional forms of journalism represents an ontic act of existentialism, which ascribes to an individualistic, interpretive world-view. From the Western existential perspective, life can only be experienced, described and made sense of from an individual perspective; it is inherently subjective and there is no universal truth “out there”. This study set out to consider how Nakasa’s writing, irrespective of his intention in this regard, serves as an example of applied existentialism, i.e. explaining Western existentialist thought, themes and structure through descriptions of real-life situations (ontic acts) as it manifests in his journalism. The study revolves around the axis of existentialism as conceptual framework, an interpretive research paradigm and a qualitative research methodology. An adapted deductive/inductive hybrid theme analysis was employed as method in order to analyse Nakasa’s writing. The results of the analysis were used to construct an existential storyline based on a combination of general existential themes as well as themes unique to Nakasa’s writing. From the combined results of the deductive and inductive analyses, seven main themes were constructed, based on Sartre’s “restless existence” cycle of facticity, nihilation, projects and transcendence. The themes identified include “mental corrosion”, “living outside of the normal human experience”, “the fringe”, “social experiment”, “tiny subversive acts”, “towards a common experience” and “the duty of the writer”. All seven themes are supported by relevant existential themes and concepts and thus provided the evidence to support this study’s claim that Nat Nakasa can be read as an existential journalist. In terms of contemporary relevance, Nakasa’s approach to journalism suggests how existentialism could provide the journalist with a practical approach to writing, especially for journalists working in developing societies. The relevance of this approach lies in the fact that there will always be an interregnum (Gordimer 1982), or circumstances of being “between two identities, one known and discarded, the other unknown and undetermined”, which might require the journalist to operate outside the boundaries of conventional journalism – thus an existential journalist practicing decentring journalism.