Transforming Cor, die ander van Gogh from radio play to stage production for multicultural audiences
Abstract
When adapting a radio play to be performed on a stage, the limitations and capabilities
of both mediums have to be considered and dealt with in the adaptation process. Such
an adaptation and transformation was attempted with Cor, die ander van Gogh,
initially written by Naomi Morgan for radio broadcast. It relates the life of Cor,
youngest brother to Vincent and Theo van Gogh. Cor emigrated to South Africa in the
late 1880s and fought on the side of the Boers in the Anglo-Boer War of 1899 -1902.
The stage performance had to-be accessible also to a non-Afrikaans speaking audience
which necessitated careful planning to ensure that the communication is unambiguous
and as comprehensible as possible. There are three partners to this process: the text,
the actor and the audience themselves. Regarding the text, care should be taken to
ensure a tight dramatic structure and the various functions of the dialogue should be
identified to ensure a clear message. Contextualisation of the character(s) and events
is important to give the necessary details for the audience to understand the dramatic
progression. The audience then has to interpret cognitively what has been offered to
them on a sensual level and appreciative feedback would indicate the success of the
whole process.