de Villiers, Rick2024-08-162024-08-162023de Villiers, R. (2023). You Equals Not-I: Avowal, Disavowal, and Second-Person Narration in Marlene van Niekerk’s Agaat. Critique: Studies in Contemporary Fiction, (2024): 1-12. https://doi.org/10.1080/00111619.2023.22704180011-1619 (print)1939-9138 (online)https://doi.org/10.1080/00111619.2023.2270418http://hdl.handle.net/11660/12742This article examines the second-person narrative mode in Marlene van Niekerk’s Agaat. Its function is explained by situating the novel within that niche known as the “you-text.” But the generic function must also be accounted for within the thematic tensions of the novel, specifically those oscillations of avowal and disavowal. So a second concern is this: how does the novel speak back to narrative theory? How does its “compulsion to tell the truth” – shadowed by South Africa’s Truth and Reconciliation Commission – trouble, expand or extend the typologies used to talk about texts where “you” consolidates narrator and narratee? Considering this consolidation as part of what might be called a narratology of the self, I suggest that Agaat’s “you” can be seen as further collapsing the roles of confessor and penitent. Such collapse reinforces the interiority of Milla’s self-addressed excoriations, since it mirrors the doubled consciousness of Protestant confession. But it also inaugurates a new type of address – the “implied you” – which turns on the reader as much as on the novel’s protagonist.enArticleAuthor(s)https://creativecommons.org/licenses/by-nc-nd/4.0/